Nikolai Gumilyov evening. "Evening" (Another unnecessary day ...), an analysis of Gumilev's poem. Paths and images

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In 1910, he published the collection "Pearls", including his previous book "Romantic Flowers" as an integral part of it. Many fellow poets highly appreciated the work of Nikolai Stepanovich. The young poet received flattering reviews from Ivanov. True, despite positive ratings, they considered "Pearl" a student's book.

The poem, dated 1908, is included in the second section of the collection, called "Gray Pearls." Evening here acts not only as a time of day, but also as a metaphor for a vague state of mind. lyrical hero. The key motive of the work is the desire of a person for happiness, which in the present is available only in a dream. From this arises the characterization of the day as magnificent but unnecessary. For a lyrical hero, night is preferable. She is able to drive away sorrows, give true happiness, dress the soul "pearl riza". Riza - the upper vestments of a clergyman - is not mentioned by chance. In Gumilyov's work, clothing is an integral part of the portrait. And most often we are not talking about everyday things, but about historical, exotic or simply rare in everyday life. Dressing the night in a robe, Nikolai Stepanovich makes it sacred, in fact, turns it into an object of religious worship. In addition, she is called the mistress, whose victorious step of sandals "no one can overcome".

There is a version that the pessimistic tone of the poem is the result of a difficult relationship between Gumilyov and Akhmatova. At the time of writing the work, Anna Andreevna had already several times refused to marry Nikolai Stepanovich. Disappointed in life and love, the poet even decided to commit suicide. One of the attempts came out very comical. Gumilyov went to the French resort town of Tourville in order to drown himself. The plans of the Russian genius were thwarted by local residents who called the police in time. The fact is that the vigilant French mistook the poet for a tramp. The impregnable beauty Akhmatova finally surrendered to the mercy of Gumilyov only in 1910. On April 25, a modest wedding ceremony took place. The poet's relatives did not come to her, because they did not believe in his marriage. Akhmatova and Gumilyov lived together for eight years, a significant part of which Nikolai Stepanovich spent on the road. They divorced in 1918, having managed to maintain a good relationship.

Nikolai Gumilyov is considered one of the most prominent representatives of the Russian poetic community, attributed to the so-called Silver Age.

At the beginning of the last century, he released the collection "Pearls", which earned the highest marks and flattering reviews from such venerable brothers in the creative workshop as Annensky, Bryusov, Ivanov. An analysis of Gumilyov's poem "Evening" will make it possible to more fully understand the techniques that aroused such admiration.

Collection of "Pearls"

Gumilyov considered pearls to be one of his favorite stones, so it is not at all surprising that he seemed to have strung the titles of the sections of the new poetry collection on a silk thread, collecting a precious necklace - "Pearl pink," Gray pearl "... It was in" Gray Pearl "that Gumilyov has a poem "Evening", written by him in 1908.

Literary analysis of Nikolai Gumilyov's poem "Evening"

In the poem, the poet brings to us the "unnecessary day" and the "ruler" - night as key figures. Evening as such seems to be invisible, but there is confusion of the soul, a kind of pre-night languor, expectation. The description of the evening is quite metaphorical, it conveys just the vague torments of a certain lyrical hero, connected with the night by inextricable ties, striving with all the forces of his heart precisely for her. And the premonition of unsteady happiness, which the night should give, reminds us that it is possible only in a dream. Hence the bitter characteristic of the day - "magnificent and unnecessary." I would especially like to draw attention to the poet's desire to clothe the soul with a "pearl robe". It should be taken into account that clothing, especially unusual, magnificent or ritual, always plays a special role; it is enough to recall other poems by Gumilyov.

An analysis of the "Evening" confirms this observation: the robe, according to its purpose, is ritual clothing, used exclusively by clergy or angels and archangels. Putting on a mysterious night (image female!) riza, Gumilyov actually raises it on a pedestal, makes it an object of some kind of worship and gives a kind of reference to the gods and heroes Ancient Greece or Ancient Rome, directly pointing to the "victory step of the sandals", which cannot be disobeyed. The whole creation is literally permeated with lyrical-pessimistic notes, which are paid attention to by almost all researchers who have analyzed Gumilyov's poem "Evening". Naturally, there are immediately attempts to draw some parallels with the events taking shape at that time in Everyday life poet.

Relationship with A. Akhmatova

As the main reason for such a pessimistic attitude towards the world, which is reflected in the poem "Evening", some literary critics name the complexity and inconsistency of Gumilyov's relationship with Anna Akhmatova.

By 1908, the poet had already repeatedly wooed Anna Andreevna, receiving refusals in response. General depression, born against the backdrop of failures, even led to suicide attempts by the poet. One of them turned out to be even tragicomic in its own way, when Gumilyov, who was in France at that time, tried to drown himself. The highly conscious French, mistaking Gumilyov for a tramp, immediately called a police squad, which pulled the disappointed genius out of the water. In November 1909, Akhmatova nevertheless agreed to marriage, accepting her future husband not as love, but as fate. There were no relatives of the poet at the wedding ceremony itself, because they simply did not believe in it. And soon Gumilyov lost interest in his young beautiful wife and spent most of his time on the road.

Reader's analysis of the poem "Evening" by Gumilyov

Silence falls from the stars
The moon shines - your wrist,
And again in a dream given to me
Promised Land -
A long-mourned happiness.

Read Gumilyov!

"Evening" Nikolai Gumilyov

Another unnecessary day
Gorgeous and useless!
Come caressing shadow
And clothe a troubled soul
With his pearly robe.

And you came ... You drive away
Sinister birds are my sorrows.
Oh mistress of the night
Nobody can overcome
The winning step of your sandals!

Silence falls from the stars
The moon shines - your wrist,
And again in a dream given to me
Promised Land -
A long-mourned happiness.

Analysis of Gumilyov's poem "Evening"

In 1910, Gumilyov published the collection "Pearls", including his previous book "Romantic Flowers" as an integral part of it. Many fellow poets highly appreciated the work of Nikolai Stepanovich. The young poet received flattering reviews from Bryusov, Ivanov. True, despite the positive ratings, they considered "Pearls" a student's book.

The poem "Evening", dated 1908, is included in the second section of the collection, called "Grey Pearls". Evening here acts not only as the time of day, but also as a metaphor for the vague state of mind of the lyrical hero. The key motive of the work is the desire of a person for happiness, which in the present is available only in a dream. From this arises the characterization of the day as magnificent but unnecessary. For a lyrical hero, night is preferable. She is able to drive away sorrows, give true happiness, dress the soul with a “pearl robe”. Riza - the upper vestments of a clergyman - is not mentioned by chance. In Gumilyov's work, clothing is an integral part of the portrait. And most often we are not talking about everyday things, but about historical, exotic or simply rare in everyday life. Dressing the night in a robe, Nikolai Stepanovich makes it sacred, in fact, turns it into an object of religious worship. In addition, she is called the sovereign, whose victorious step of sandals "no one can overcome."