Beautiful people disappeared from Petrograd. Analysis of the poem Tired (Mayakovsky V.V.). Analysis of Mayakovsky's poem "Tired"

Reading the poem “Tired of” by Vladimir Vladimirovich Mayakovsky is akin to immersing yourself in a world of loneliness and hopelessness. The work is permeated with sad notes and a feeling of uselessness that gripped the author. The theme of loneliness often appears in the poet’s work. This work, written in 1916, was no exception. At that time, a revolutionary spirit was in the air in society. The lines between different classes were blurred, so distinguishing a peasant from a drunken aristocrat was not so easy. The lack of support prompted the author to go to the city in search of like-minded people. Mayakovsky's disappointment was reflected in his poem.

The poet falls into deep melancholy, seeing masks of indifference around. He cannot find people under these “two arshins of faceless pinkish dough.” Mayakovsky is not just disappointed in those around him. He is even ready to seek support from the tram, which boasts a “smart face”, unlike this gray mass. The poet claims that beautiful people simply disappeared. And we are not talking about external attractiveness, but about spiritual beauty.

Such bitterness and sadness in the text of Mayakovsky’s poem “Tired” cannot leave anyone indifferent. The reader inevitably becomes imbued with the author’s feelings, completely taking on his melancholy. And now, a crowd appears before your eyes, in which it is impossible to find a kindred spirit. The depth of the work cannot fail to hook you, which is why it is taught in literature classes. You can download the poem or read it online on our website.

Didn't stay at home.
Annensky, Tyutchev, Fet.
Again,
driven by longing for people,
I'm coming
to cinemas, taverns, cafes.

At the table.
Shine.
Hope shines on a foolish heart.
What if in a week
the Russian has changed so much,
that I will burn his cheeks with the fires of his lips.

I carefully raise my eyes,
I'm rummaging through the pile of jackets.
"Back,
back-to-back,
back!"
Fear screams from the heart.
Tossing around his face, hopeless and boring.

I don't listen.
I see
a little to the right
unknown either on land or in the depths of the waters,
diligently working on a calf's leg
most mysterious creature.

You look and don’t know whether he’s eating or not.
You look and don’t know whether he’s breathing or not.
Two arshins of faceless pinkish dough!
at least the mark was embroidered in the corner.

Only swaying falling on the shoulders
soft folds of glossy cheeks.
Heart in a frenzy
vomits and rushes.
“Get back!
What else?”

I look to the left.
His mouth gaped.
I turned to the first one, and everything became different:
for the one who sees the second image
first -
resurrected Leonardo da Vinci.

No people.
You see
the cry of a thousand days of torment?
The soul does not want to go dumb,
and tell whom?

I'll throw myself on the ground
stone bark
I bleed my face, washing the asphalt with tears.
With lips yearning for caresses
I'll cover you with a thousand kisses
smart face of the tram.

I'll go home.
I'll stick to the wallpaper.
Where is the rose more tender and tea-like?
Want -
you
pockmarked
Shall I read “Simple as a Moo”?

For history

When everyone is settled in heaven and hell,
the earth will be summed up -
remember:
in 1916
Beautiful people disappeared from Petrograd.

In 1916, when Russia was in a state of unfinished war, Vladimir Vladimirovich Mayakovsky wrote the poem “Fed up.” It's hard to guess from the name what it's about. What bothered the lyrical hero, who in this case is the author himself, during the war?

But after reading the first stanza, it is clear that he was tired of loneliness - Mayakovsky often raises this topic in his works, because he considered himself a genius, whose work was inaccessible to the understanding of others, so it was difficult for him to find support and understanding in people, which is so necessary for everyone in difficult days for the whole country.

Next, the author describes attempts to find those very “beautiful” people. However, instead of them, everywhere he sees only an image of “faceless pinkish dough” and at the end of his work he declares: “there are no people,” “beautiful people have disappeared from Petrograd,” which, I think, is the main idea of ​​the poem.

Of course, this thought shocks the main character. To more accurately convey his emotions about this, Mayakovsky uses repetitions (“back, back!”), metaphors (“smart face of a tram,” “resurrected Leonardo da Vinci,” “two arshins of faceless pinkish dough”), personification (fear “screams, rushes across the face”, the heart is “in a frenzy, tears and rushes”, the soul “does not want to go mute”) and rhetorical questions (“do you understand the cry of a thousand days of torment?”, “...and tell whom?”, “where Is there a more tender and tea-like rose?”, “Do you want me to read the pockmarked “Simple as a Moo”?”)

I believe that the poem by V.V.

Mayakovsky allows us to think about what is really important in people, and whether the people around us are “beautiful.”

The twentieth century in Russia became a time of two world wars, three revolutions, Civil War, a number of victories that influenced world history, and almost fewer tragedies that brought untold suffering to the people. However, our country has endured all these trials, largely thanks to the spiritual culture that has been formed for centuries in the depths of the people and is embodied in national folklore, Orthodoxy, Russian philosophy, literature, music, and painting.

The golden age of Russian literature was in the distant past, and at the beginning of the twentieth century it was replaced by silver Age. The specificity of this period can be considered the active interaction of different arts, however futurism, to which the work of Vladimir Mayakovsky belongs, laid claim to the birth of super art capable of transforming the world. New art required new ways of expression. The main method was shocking. These are biting names, harsh assessments, and incentives to action.

But the main thing is that futurism aimed at changing the language. Futurists did not stand on ceremony with the word: it was objectified, it could be crushed, altered, new combinations could be created from these fragmented, destroyed words. Some futurists went headlong into this experiment, but not Vladimir Mayakovsky. Having created a fundamentally new tonic verse, he did not abandon the true meaning of the word. Therefore, his poems are full of vivid images, unusual means, but most of all - ideas.

In 1916, when Russia was in a state of unfinished war, Mayakovsky writes poem "Tired". Judging by the title and date of writing, the work must clearly be related to the war. What can get boring during war? Death of people, injuries, hunger, devastation... However, the first lines of the poem unexpectedly turn the reader to the names of the great classics: "Annensky, Tyutchev, Fet". Obviously, having read the imperishable works of these poets, the hero, “driven by longing for people”, goes to cinemas, taverns, cafes. But is it possible to find a person in these places? Hoping to still see him, lyrical hero looks around though “fear screams from the heart” And “darting around the face, hopeless and boring”.

...unknown either on land or in the depths of the waters,
diligently working on a calf's leg
most mysterious creature.

In the process of endlessly absorbing food (this is at a time when millions of soldiers at the front were starving), this creature turns into “two arshins of faceless pink dough”. The worst thing is that everything around is simply teeming with similar specimens, and this leads the hero to a disappointing conclusion: "No people". Perhaps this phrase can be considered main idea poems. But the hero goes further in his reasoning. In despair from a feeling of loneliness, in longing for humanity and beauty, the hero turns to the entire city. He is ready not only to throw himself on the ground, bleeding his face "bark of stone" “washing the asphalt with tears”. The hero wants to escape from this crowd, where they don’t understand "the cry of a thousand days of torment".

Seen at a table in a cafe "image" It is difficult to call a person who should be endowed with reason, and not with an eternal desire to fill his womb. And then, in an effort to find at least some living soul “lips weary of caresses” the hero is ready "a thousand kisses" cover by "smart tram face".

He finds salvation in the house, because, as you know, my home is my fortress:

I'll go home.
I'll stick to the wallpaper.

There, even the tea rose on the wallpaper of the room seems to be a more suitable listener and interlocutor than the humanoid creatures he saw, and to her, and not to them, he is ready to read his poems.

As a kind of output, it publishes the final lines, which is called "for history":

When everyone is settled in heaven and hell,
the earth will be summed up -
remember:
in 1916
Beautiful people disappeared from Petrograd.

It is sad to realize that in the most difficult years of severe trials, the poet Vladimir Mayakovsky did not find people around who were beautiful, first of all, with souls. And then the title of the poem becomes completely clear: "tired" calling for conscience, tired of knocking on an open door, tired of looking for real people!

• “Lilichka!”, analysis of Mayakovsky’s poem
• “The Sitting Ones”, analysis of Mayakovsky’s poem

Didn't stay at home.
Annensky, Tyutchev, Fet.
Again,
driven by longing for people,
I'm coming
to cinemas, taverns, cafes.

At the table.
Shine.
Hope shines on a foolish heart.
What if in a week
the Russian has changed so much,
that I will burn his cheeks with the fires of his lips.

I carefully raise my eyes,
I'm rummaging through the pile of jackets.
"Back,
back-to-back,
back!"
Fear screams from the heart.
Tossing around his face, hopeless and boring.

I don't listen.
I see
a little to the right
unknown either on land or in the depths of the waters,
diligently working on a calf's leg
most mysterious creature.

You look and don’t know whether he’s eating or not.
You look and don’t know whether he’s breathing or not.
Two arshins of faceless pinkish dough!
at least the mark was embroidered in the corner.

Only swaying falling on the shoulders
soft folds of glossy cheeks.
Heart in a frenzy
vomits and rushes.
“Get back!
What else?

I look to the left.
His mouth gaped.
I turned to the first one, and everything became different:
for the one who sees the second image
first -
resurrected Leonardo da Vinci.

No people.
You see
the cry of a thousand days of torment?
The soul does not want to go dumb,
and tell whom?

I'll throw myself on the ground
stone bark
I bleed my face, washing the asphalt with tears.
With lips yearning for caresses
I'll cover you with a thousand kisses
smart face of the tram.

I'll go home.
I'll stick to the wallpaper.
Where is the rose more tender and tea-like?
Want -
you
pockmarked
Will I read “Simple as a Moo”?

For history

When everyone is settled in heaven and hell,
the earth will be summed up -
remember:
in 1916
Beautiful people disappeared from Petrograd.

Analysis of the poem “Tired” by Mayakovsky

Almost all of V. Mayakovsky’s pre-revolutionary poems carried a fierce antisocial challenge. Even after joining the Bolshevik Party, the poet for a long time continued to remain a kind of creative anarchist. When giving a public reading of his poems, he tried to shock his listeners and destroy their usual ideas about versification and the norms of the Russian language. In 1916, Mayakovsky wrote the work “Tired,” in which he harshly criticized the entire Petrograd society.

The lyrical hero is tired of loneliness, brightened up only by reading long-bored poems. Trying to unwind, he goes to the most crowded public places (“cinemas, taverns, cafes”). The lyrical hero sits down at a table and hopefully looks around at the people around him (“rummaging through a pile of jackets”). His heart desperately tells him to run away from this gray mass (“back, back, back!”), but he ignores these screams.

Finally, his gaze stops at some “mysterious creature.” Using the grotesque, Mayakovsky describes it as “two arshins of faceless pinkish dough.” This strange organism seems to be busy absorbing food, but it is impossible to say with certainty whether it breathes or not.

The lyrical hero's heart literally breaks out of his chest from fear, but he makes one more try. Looking to the left, he saw such an “image”, in comparison with which the first creature can be considered a model of beauty.

In despair, the author makes a disappointing conclusion: “there are no people.” Out of despair, he is ready to kiss “the face of the tram” and “stick to the wallpaper.” An acute feeling of loneliness forces him to humanize any inanimate object.

Mayakovsky ends the poem with a short but succinct conclusion, “For history.” After the Last Judgment and summing up the final results, the poet calls to remember: “In 1916, beautiful people disappeared from Petrograd.”

In the poem “Tired” Mayakovsky is not talking about physical beauty at all. The poet is much more concerned about the disappearance of spiritual beauty. He directly connects this fact with the triumph of philistine life. Therefore, Mayakovsky, with his creativity, wanted to “explode” the bourgeois well-being, to make people think not about their stomach, but about their immortal soul. But even the poet’s shocking performances soon became boring to the public, and they were looked at as just another form of entertainment. Only Mayakovsky was able to get rid of “tired” October Revolution, and even then not for long.

The twentieth century in Russia was a time of two world wars, three revolutions, a Civil War, a number of victories that influenced world history, and almost a smaller number of tragedies that brought untold suffering to the people. However, our country has endured all these trials, largely thanks to the spiritual culture that has been formed for centuries in the depths of the people and is embodied in national folklore, Orthodoxy, Russian philosophy, literature, music, and painting.

The Golden Age of Russian literature was in the distant past, and at the beginning of the twentieth century it was replaced by the Silver Age. The specificity of this period can be considered the active interaction of different arts, however futurism, which includes the work of Vladimir Mayakovsky, laid claim to the birth of super art capable of transforming the world. New art required new ways of expression. The main method was shocking. These are biting names, harsh assessments, and incentives to action.

But the main thing is that futurism aimed at changing the language. Futurists did not stand on ceremony with the word: it was objectified, it could be crushed, altered, new combinations could be created from these fragmented, destroyed words. Some futurists went headlong into this experiment, but not Vladimir Mayakovsky. Having created a fundamentally new tonic verse, he did not abandon the true meaning of the word. Therefore, his poems are full of vivid images, unusual means, but most of all - ideas.

In 1916, when Russia was in a state of unfinished war, Mayakovsky writes poem "Tired". Judging by the title and date of writing, the work must clearly be related to the war. What can get boring during war? Death of people, injuries, hunger, devastation... However, the first lines of the poem unexpectedly turn the reader to the names of the great classics: "Annensky, Tyutchev, Fet". Obviously, having read the imperishable works of these poets, the hero, “driven by longing for people”, goes to cinemas, taverns, cafes. But is it possible to find a person in these places? Hoping to still see him, the lyrical hero looks around, although “fear screams from the heart” And “darting around the face, hopeless and boring”.

...unknown either on land or in the depths of the waters,
diligently working on a calf's leg
most mysterious creature.

In the process of endlessly absorbing food (this is at a time when millions of soldiers at the front were starving), this creature turns into “two arshins of faceless pink dough”. The worst thing is that everything around is simply teeming with similar specimens, and this leads the hero to a disappointing conclusion: "No people". Perhaps this phrase can be considered main idea poems. But the hero goes further in his reasoning. In despair from a feeling of loneliness, in longing for humanity and beauty, the hero turns to the entire city. He is ready not only to throw himself on the ground, bleeding his face "bark of stone" “washing the asphalt with tears”. The hero wants to escape from this crowd, where they don’t understand "the cry of a thousand days of torment".

Seen at a table in a cafe "image" It is difficult to call a person who should be endowed with reason, and not with an eternal desire to fill his womb. And then, in an effort to find at least some living soul “lips weary of caresses” the hero is ready "a thousand kisses" cover by "smart tram face".

He finds salvation in the house, because, as you know, my home is my fortress:

I'll go home.
I'll stick to the wallpaper.

There, even the tea rose on the wallpaper of the room seems to be a more suitable listener and interlocutor than the humanoid creatures he saw, and to her, and not to them, he is ready to read his poems.

As a kind of output, it publishes the final lines, which is called "for history":

When everyone is settled in heaven and hell,
the earth will be summed up -
remember:
in 1916
Beautiful people disappeared from Petrograd.

It is sad to realize that in the most difficult years of severe trials, the poet Vladimir Mayakovsky did not find people around who were beautiful, first of all, with souls. And then the title of the poem becomes completely clear: "tired" calling for conscience, tired of knocking on an open door, tired of looking for real people!